‘The Hello Girls’ Reviewed by Len Power - 9th September 2023 - CBR City News
‘… an atmospheric lighting design by Antony Hateley'

‘In His Words: Voices Of Fatherhood’ Reviewed by Bill Stephens - 27th June 2023 - Australian Arts Review
‘… Subtly showcased in Antony Hateley's glowing lighting'

‘Communicate’ Reviewed by Bill Stephens - 30 May 2023 - Australian Arts Review
‘… Antony Hateley’s superbly focussed lighting’

‘I Have No Enemies’ Reviewed by Len Power - 2 March 2023 - Canberra Critics Circle
‘… a clever lighting plot designed by Antony Hateley’

‘How To Vote’ Reviewed by Arne Fealing - 10 September 2022 - CBR City News
‘A great lighting plot that burnt its moments into your mind’

‘Twenty Minutes With The Devil’ Reviewed by Len Power - 18 June 2022 - Just Power Writing
‘The lighting design by Antony Hateley is highly detailed and effective’

‘Twenty Minutes With The Devil’ Reviewed by Bill Stephens - 20 June 2022 - Australian Arts Review
‘Antony Hateley’s lighting design is equally brilliant with its suspended faces outlined in sharply focussed lighting’

‘Twenty Minutes With The Devil’ Reviewed by Cathy Bannister - 20 June 2022 - Stage Whispers
‘Antony Hateley’s evocative lighting design adds to the increasing tension’

‘Born To Manifest’ Reviewed by Mark Brown - 4 March 2020 - The Socialist Worker
‘… and lit ingeniously by Antony Hateley’

‘3 Rounds of Amp’ Reviewed by Ian Abbott - 23 April 2019 - Writing About Dance
‘… dressed in Antony Hateley’s succulent lighting design’

‘3 Rounds of Amp’ Reviewed by Gabriel Wilding - 16 April 2019
‘Antony Hateley’s clever lighting provides depth and context’

‘DEP’ Reviewed by Alexandra Grey - 3 August 2018 - Seeing Dance
‘Lighting by Antony Hateley picks out the warmth and beauty of differing skin tones, then turns to a strobe effect for the intense final section’

‘Woman Of Sun’ Reviewed by Graham Watts - 4 December 2016 - Dance Tabs
‘the slickness of the movement quality accentuated by Antony Hateley’s impressive lighting’

‘The Black Album’ Reviewed by Brad Wilson - 27 January 2016 - North West End UK
‘Lighting Design by Antony Hateley is of the standard of a world class production’

‘The Black Album’ Reviewed by Archana Nathan - 27 November 2014 - The Hindu
Antony Hateley’s lighting for the show deserves a separate mention because it enhanced the mood of the entire production and was carefully choreographed’

‘Greed’ Reviewed by Graham Watts - 15 March 2013 - Dance Tabs
‘… wrapped in the enigmatic, cavernous sensations achieved by the lighting designs of Antony Hateley’

‘A Sudden Change of Event’ Reviewed by Catherine Hooper - 13 May 2010 - Critical Dance Magazine
‘Lighting Designer Antony Hateley plays with light and shadow to add harmony and balance’